These images were shot in Seattle/Union Station, on Fuji Neopan 400 film, which is no longer made. When I shot these I was thinking a lot about the juxtaposition of youthfulness in settings marked by old age. The way that a human life, on a small scale or a large, can be reflected in a massive monument. The age and rarity of this film that was coincidentally given to me, gave me an vulnerable and almost youthful perspective that I otherwise would not have had.
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